Comodo music term

comodo music term

Comodo definition at karg.ariurana.xyz, a free online dictionary with pronunciation, synonyms and music (to be performed) at a convenient relaxed speed. Comodo definition: (to be performed) at a convenient relaxed speed | Meaning, pronunciation, translations and examples. Definition of comodo . ULTRAVNC POMOC Comodo music term citrix devry

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In musical terminologytempo Italian for "time"; plural temposor tempi from the Italian plural is the speed or pace of a given piece.

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Comodo music term In some songs or pieces in which a singer or solo instrumentalist begins the work with a solo introduction prior to the start of the full groupthe tempo they set will provide click here tempo for the group. As with many other musical terms, Italian words are used to describe different tempos of music. History comodo music term Etymology for comodo Italian comodo comfortable, convenient, from Latin commodus convenient, suitable. Problems playing this file? For example, presto and allegro both indicate a speedy execution presto being fasterbut allegro also connotes joy from its original meaning in Italian. If a rhythm is not structurally redundant, then even minor tempo deviations are not perceived as accelerando or ritardando comodo music term rather given an impression of a change in rhythm, which implies an inadequate perception of musical meaning. While tempo is described or indicated in many different ways, including with a range of words e.

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Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. From Wikipedia, the free encyclopedia. List of definitions of terms and concepts used by professional musicians.

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Music portal. Harvard Dictionary of Music , p. Retrieved Jazz Composition and Arranging in the Digital Age. Oxford University Press. ISBN Archived from the original on May 14, In Sadie, Stanley ; Tyrrell, John eds.

London: Macmillan. A Musical Life: Writings and Letters , p. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms here. For a list of terms used in jazz, country, rock, and other popular music genres, see the Glossary of jazz and popular musical terms. In music for piano, this is sometimes a solution in playing a wide-ranging chord whose notes cannot be played otherwise.

Arpeggios are frequently used as an accompaniment. See also broken chord in this list. Sometimes the effect is reversed, so that the highest note is played first. Also the part of a stringed instrument that holds the strings in place and transmits their vibrations to the resonant body of the instrument. They may follow singly one after the other, or two notes may be immediately followed by another two, for example. See also arpeggio in this list, which as an accompaniment pattern may be seen as a kind of broken chord; see Alberti bass.

Capo : a key-changing device for guitars and banjos; 2. Note : sordina, with plural sordine, is strictly correct Italian, but the forms con sordino and con sordini are much more commonly used as terms in music. Used almost exclusively as a French Horn technique to indicate a forced, rough tone.

Indicated by. This comes from a literal cut of the symbol of common time. Thus, a quarter note in cut time is only half a beat long, and a measure has only two beats. The plural is desunt and used when referring to several works. It is most often used for string instruments, since with them another means of execution is often possible.

The return from divisi is marked unisono : see in this list. It also refers to a genre of electronic music based on this downtempo. See also Moll minor in this list. The term may also be used as an adjective to describe a situation where a singer or musician is performing a note in which the intonation is an eighth or a quarter of a semitone too low.

A short theme the subject is introduced in one voice or part alone, then in others, with imitation and characteristic development as the piece progresses. See glissando for further information; and compare portamento in this list. Compare with polyphony, in which several voices or melody lines are performed at the same time. In Classical music, this may refer to instruments such as the piano, pipe organ, harpsichord, and so on. In a jazz or popular music context, this may refer to instruments such as the piano, electric piano, synthesizer, Hammond organ, and so on.

Fr : allow the sound to continue, do not damp; used frequently in harp music, occasionally in piano or percussion. Melodies which move by a leap are called "disjunct". Octave leaps are not uncommon in florid vocal music. In string music, also used to indicate return to normal playing position see Playing the violin. Mezzo-sopranos generally have a darker vocal tone than sopranos, and their vocal range is between that of a soprano and that of an contralto.

Note : does not mean "mute", for which con sordina or con sordino is used. Muta comes from the Italian verb mutare to change into something. In organ scores, it tells the organist that a section is to be performed on the bass pedalboard with the feet. This convention can be extended; the more ps that are written, the softer the composer wants the musician to play or sing, thus ppp pianississimo would be softer than pp. Dynamics in a piece should be interpreted relative to the other dynamics in the same piece.

For example, pp should be executed as softly as possible, but if ppp is found later in the piece, pp should be markedly louder than ppp. More than three ps ppp or three fs fff are uncommon. If no pause is executed, then it is a basic glissando; or 2. Quarter tones are used in Western popular music forms such as jazz and blues and in a variety of non-Western musical cultures. In piano music notably in Beethoven's Moonlight Sonata , senza sordini or senza sordina or some variant is sometimes used to mean keep the sustain pedal depressed, since the sustain pedal lifts the dampers off the strings, with the effect that all notes are sustained indefinitely.

The term may also be used as an adjective to describe a situation where a singer or musician is performing a note in which the intonation is an eighth or a quarter of a semitone too high in pitch. The solo part is often played in a rhythmically free manner, until the player performs a pickup or lead-in line, at which time the band recommences playing in the original tempo.

The instruction soli requires more than one player or singer; in a jazz big band this refers to an entire section playing in harmony. Note : sordina, with plural sordine, is strictly correct Italian, but the forms sordino and sordini are much more commonly used as terms in music.

See also con sordina, senza sordina, in this list. In musical notation, a small dot under or over the head of the note indicates that it is to be articulated as staccato. Playing over the fingerboard produces a warmer, gentler tone. String players perform tremolo with the bow by rapidly moving the bow while the arm is tense.

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